Computer-generated music from hard disc, 8-kanal, 24bit (1991/94)
Premiere: Ars Electronica 1994
Loudspeaker installation and acoustic scenario: Günther Rabl

The recording of a waterfall is the basis for all the parts of the composition: not only as the score, but especially as the inexhaustible reservoir of shapes and courses which can be derived from it with different analytical methods.A number of imaginary sound objects (so-called ‘physical models’) are awakened to life by the sound of the water masses and its transformations.